My work explores the intricate relationship between humanity and the material world, navigating tensions between nature and mass production, consumption and craft. Through the repurposing of discarded materials, I invite reflection on our fractured connection to the environment, revealing how this disconnection mirrors our internal struggles.
At the heart of my practice is the belief that making is a radical act of embodiment. In a world dominated by technology, I seek to reclaim the joy of working directly with materials, and with our own bodies to foster a deeper connection to both ourselves and the earth. This slow, intentional approach transforms the mundane into the meaningful, inviting viewers and participants to reconsider the value of presence in a fast-paced society.
The objects around us—often overlooked or discarded—carry histories that connect us to our collective experience. By recontextualizing these artifacts, I aim to illuminate the complex relationship between nature and power, urging empathy, connection, and stewardship over disposability. Through my work, I hope to inspire a sense of community that nurtures a deeper respect for nature, beyond its role as decoration.
Ultimately, I strive to create a universal language through my art, one that reflects our shared experiences and encourages understanding. In this exploration, I aim to illuminate the complexities of our internal worlds, affirming the transformative power of making. Embracing imperfections, we reconnect with the wildness of nature and our own humanity.
Ashlin is an artist and designer exploring the intersections of materiality, storytelling, and the human experience. With a Master's in Material Futures from Central Saint Martins and a BA in Studio Art & Film from Vanderbilt, her work spans exhibitions from London to Santa Fe. Currently training as a Somatic Experiencing Practitioner, Ashlin blends art, performance, and body-focused inquiry to reimagine our connection to the world.
At the heart of my practice is the belief that making is a radical act of embodiment. In a world dominated by technology, I seek to reclaim the joy of working directly with materials, and with our own bodies to foster a deeper connection to both ourselves and the earth. This slow, intentional approach transforms the mundane into the meaningful, inviting viewers and participants to reconsider the value of presence in a fast-paced society.
The objects around us—often overlooked or discarded—carry histories that connect us to our collective experience. By recontextualizing these artifacts, I aim to illuminate the complex relationship between nature and power, urging empathy, connection, and stewardship over disposability. Through my work, I hope to inspire a sense of community that nurtures a deeper respect for nature, beyond its role as decoration.
Ultimately, I strive to create a universal language through my art, one that reflects our shared experiences and encourages understanding. In this exploration, I aim to illuminate the complexities of our internal worlds, affirming the transformative power of making. Embracing imperfections, we reconnect with the wildness of nature and our own humanity.